Unique, chic, and luxurious is our philosophy at FRG Objects & Design / Art, where we’re committed to showcasing some of the best art, furniture, and accessories in the region.
Maybe you’re feeling inspired to make a statement with designer lighting. Or perhaps you like to keep it authentic with restored mid-century furniture. Whatever the case, it all starts in our light-filled second-floor shop–and one visit is all it takes. We’re located at 217 Warren Street, 2nd Floor, Hudson.
Stop in this season for discounts starting at 15%*, or visit us online at frgdesignart.com. Our inventory’s always expanding; your future favorite room is waiting for you.
1940’s aircraft aluminum handcrafted desk with bench, blotter and file holder
February 2018 Maine Antique Digest
Frank Daley and Judith Engel
are featured in this month’s issue of MAD
If you have a digital subscription to MAD you can download the entire article here
Now through Spring 2018, get up to 20% off select items including “re-visioned” vintage dining sets, custom lighting, storage, seating, and fine art.
1980s Glass, lucite, & brushed aluminum Deco-style dining table | Now $4,675
“Omaggio ad Albers 1”, framed acrylic painting on canvas by Fabrizio Breschi | Now $16,200 | http://bit.ly/2miBGKU
Alar Chandelier by Joshua Howe Design | Price Upon Request | http://bit.ly/2CTkK4C
Inkjet Prints by Chuck Baker | Now $382.50 each | http://bit.ly/2EzyAtk
PAINTED CITIES at Carrie Haddad Gallery
On view January 4, 2018 through February 18, 2018
Hudson locals and New York City natives will find common ground at Carrie Haddad Gallery this January, as it hosts a trove of familiar sights in its upcoming exhibition Painted Cities, which will include works by Dan Rupe, Darshan Russell, Edward Avedisian, Patty Neal, Richard Britell, Robert Goldstrom, and Scott Nelson Foster. Featuring everything from paintings of the Empire State Building and Hudson Library to corner laundromats and takeout restaurants, this exhibition forms a compelling human portrait without calling upon the human figure. Crafted in an array of styles, from a Fauvist inspiration to hyperrealism, each cityscape captures a city’s character with an intense precision and sensitivity to the world people build for themselves.
Meanwhile, the human presence lies in the artistry of each painter’s brush. Richard Britell captures vignettes of classical-style architecture unique to New York City in a hyperrealist depiction. Cityscape painter, Patty Neal, also uses Manhattan as her muse but rather focuses on the juxtaposition of nature’s persistent force within the developed world. After residing in Brooklyn for many years, local landmarks like the Williamsburg Savings Bank and the skyline on the East River became mainstays in Robert Goldstrom’s work. While the artist continues to examine these subjects at various times of day, each is brought into a new context with changes in light and perspective.
Part of the exhibit will shift its focus closer to home to upstate cities like Hudson, Albany, and Poughkeepsie. Dan Rupe transports us into his world of expressionistic color with scenes from the artist’s studio that capture the streets of Hudson with Fauvist style brushwork. Following a monumental shift from painting eye-popping Color Field paintings of grand scale in the 1960s, Edward Avedisian retained an affinity for flat shapes and bright color in Livingston Avenue, a 24 x 30 inch winter scene set on the slushy sidewalks of an offbeat neighborhood in downtown Albany circ. late 1990s. Scott Nelson Foster’s delicately detailed grayscale watercolors of empty storefronts and townhouses share a nostalgic narrative and examine the artist’s definition of beauty found in “absence and loss, not presence”. Monochromatic city vignettes devoid of human activity call to mind the dwindling presence of small town, USA. Self-taught artist, Darshan Russell, paints scenes from the Poughkeepsie Journal in her signature naïve style. Familiar city scenes are enlivened with her bold use of opaque color, applied to the canvas straight from the tube.